The record company was keen for a new album and a return to concert touring. After a relatively short recording schedule, Zenyatta Mondatta was released in the autumn of 1980. It became the Police's North American first really big album, reaching the Top Ten in the U.S. and Canada. In the UK, the album spent four weeks at number one.

Zenyatta Mondatta was originally going to be called Trimondo Blondomina, meaning "three blond guys (dominating the world)," but the band did not want another title referring to "blond" so that title was discarded. They reached a consensus with Zenyatta Mondatta. The term is supposedly a composite of several things. "Zen" comes from the eastern religion. "Yatta" is rumored to have ties to Kenyatta (the leader of the Mau Mau's of Congo-Zaire-Kenya). "Mond" comes from "Monde" - the French word for world. The whole thing was then articulated in such a way to sound like "Reggatta." Another possibility is that the title came from "Zenith" and "Monde," which means "Top of the World." A third theory: In Japanese, Zenyatta Mondatta allegedly has a somewhat rude meaning: "gave money, gave a massage."

The first single from the album was "Don't Stand So Close to Me," and became the group's second number one single in the U.K. and in America, the single became their second Top Ten hit in the spring of 1981. Earlier that year "De Do Do Do, De Da Da Da" made it to number ten. By the beginning of 1981, the Police were able to sell out Madison Square Garden, and were rising in the ranks of the worlds most celebrated artists.

Sting was reported as having stated that he regretted the rushed recording for the album. However, many critics would later cite it as one of their most creative efforts evidenced by the album winning two Grammy awards. The instrumental "Behind My Camel," written by Andy Summers won the band a Grammy for Best Rock Instrumental Performance. The song "Don't Stand So Close to Me" won the Grammy for Best Rock Vocal Performance For Duo Or Group.

Capitalizing on their success, the band returned to the studio in the summer of 1981 to record their fourth album with producer Hugh Padgham. Following their whirlwind success of 1980 and 1981, in which they were named the Best British Group at the first Brit Awards and won three Grammys, the band took a break in 1982.


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